5 Questions Every Bard Should Be Able to Answer

“Why did you think going into the dungeon and singing at the monsters was a good idea?” Let’s just agree that the idea of going into a deadly location armed with a tune is silly concept, at least at first glance. Yet, no one will hear of the hero’s exploits unless someone that is skilled at retelling the tale of heroic is there to witness them. In so doing, they have to know how to stand their ground and meet dangers head on. So it makes sense that they would use what they are best at to full effect.

To help you flesh out your character, we have 5 questions for you that you, as the player of the bard should be able to answer through your character’s eyes. If you prefer to play a fighter, cleric, or monk, we have 5 questions for them as well. So lets begin.

1) How Long Have You Been Training?

Anyone can move to music. Anyone can pick up an instrument, blow on it or pluck a string, and make noise. Anyone read words on a page while changing pitch. These, however, are not the product of years of training, dedication, and long hard work. That is what you have done. Day in and day out you played your lute until it comes to you as easily as breathing. You strengthening certain muscles while hammering your dulcimer, carrying your tuba, lifting your trombone again, and again, and again. Imagine what it was like, being a child on stage performing your dance routine and years later still performing. Not only are you good, you are captivating, enthralling, mesmerizing, inspiring. Your performances are quite literally magical. What were those long days like? Did you enjoy them or were they downright torture? This is actually the perfect intro to the next question…

2) Why Did You Start Training and Keep Training?

First off, why did you start? Did it seem like fun? Did you try it out and liked it? Were you forced by your parents for some village or clan festival? Trying it is one thing; continuing it is another. Children are notorious for trying something and stopping the moment it gets hard. So why did you stick to it? Did you tell your parents you wanted the instrument, they got it for you, you were unhappy when it got hard and your parents made you continue after they spent the money for it? Did they tell you how proud they were of you for doing so? Were you determined to earn someone’s approval by playing hard? Were you trying to emulate the local performer? What made you keep going when it was hard?

3) How Did You Learn a Bit of Everything?

Bards may not be experts in any one area, but they are darn good at just about everything. They may not be front line fighters but they know how to use a number of weapons well. They may not have the spell breadth of a wizard, but they do have a solid number of spells. Their skill selection is diverse. How are you so well educated, so much of a jack of all trades? Did you get sent to college or did you go to the school of hard knocks? Was far more expected of you than most others or were you naturally gifted at learning anything you were shown once. How are you so good at everything?

4) What Drives You To Be Better?

While this answer should always be, “To be better than I was yesterday,” what fun is there in that? If anything this is a great end point for your character—coming to a point where you are in competition with no one but yourself—but not a good starting point. This is a point of professional conflict with your character. Are you trying to be better than someone you consider your equal, that started around the same time as you, but got all the recognition that you feel you deserve? Perhaps you want to be just like your hero, the one person that got you into performing in the first place. Maybe you have this idealized version of yourself and you are forever striving for it but never attaining it. Over the course of the campaign, you should come to terms that you are only in competition with yourself, and talk to your GM about wanting to explore this in the campaign. Maybe your rival or hero can play a part in the campaign and your character can find a kind of peace when they finally see the truth of the situation. This will make your character engaging long after the campaign is over.

5) What “epicness” does your current group of companions present?

If you are going to tell the tale, sing the songs, perform the scene of the exploits of your character and their adventures, their deeds should be worthy of tales, songs, and plays. Maybe they haven’t done anything yet, but you see the spark inside them. What is it that makes you believe in them, and how does being with them make you believe in yourself more?

Sharem is our signature transman samsaran bard. He remembers himself playing instruments and telling tales in previous incarnations and started playing to connect with his former lives. That is what kept him practicing year after year growing up. Today he is more of an actor than a musician. He makes his performances showy, using his whip whenever possible to swing over the audience. He uses similar showmanship when in the dungeon as well. By keeping the monsters’ attention on himself, his companions can take them down with ease.

Sharem and his fellow adventurers are on the cover of the adventure Deadly Delves: The Gilded Gauntlet. Download this Pathfinder book today using coupon code “holiday2017” to get 30% off this and everything else at the JBE Shop now through January 31, 2018.